Sons of Satan (3:37) 2. Welcome to Hell (3:13) 3. Schizo (3:30) 4. Mayhem With Mercy (0:59) 5. Poison (4:30) 6. Live Like an Angel (Die Like a Devil) (3:58) 7. Witching Hour (3:40) 8.
One Thousand Days in Sodom (4:35) 9. Angel Dust (2:39) 10. In League With Satan (3:31) 11. Red Light Fever (5:14) 12. Angel Dust (Lead Weight version) (3:02) 13. In League With Satan (7' version) (3:31) 14. Live Like an Angel (Die Like a Devil) (7' version) (3:53) 15.
Venom (UK) - Welcome To Hell (1981) [2002 Remaster] Venom - Welcome To Hell [2002 Remaster] Band Info. 02 - Welcome to Hell 03 - Schizo 04. Venom - Welcome to Hell (Full-length, 1981) Helmet - Seeing Eye Dog (Full-length, 2010) Hirilorn - Legends of Evil and Eternal Death (Full. Find a Venom (8) - Welcome To Hell first pressing or reissue. Complete your Venom (8) collection. Playing For Real Binmore Pdf Viewer on this page. Shop Vinyl and CDs. Welcome to Hell is a speed metal music album recording. VENOM Welcome To Hell LP RARE 1981 UK ORIGINAL PICTURE. Venom - Welcome To Hell (Remastered.
Bloodlust (7' single) (2:59) 16. In Nomine Satanas (7' single) (3:28) 17. Angel Dust (demo) (3:10) 18. Raise the Dead (demo) (3:29) 19.
Red Light Fever (demo) (4:50) 20. Welcome to Hell (demo) (4:57) 21. Bitch Witch (outtake) (3:08) 22. Snots Shit (outtake) (2:06) Total Time: 78:06 Line-up/Musicians - Anthony Bray / drums - Conrad Lant / bass, vocals - Jeffrey Dunn / guitars About this release Released by Neat Records, December 1981. Thanks to,,, for the updates VENOM MP3, Free Download/Stream. Legend has it that the first Venom album has such a legendary lo-fi production and raw performances because the band thought they'd been booked in to produce a demo for the album, not the album itself.
Whether or not this was true, the muddy souns quality on the release transformed Venom's music from a series of fast-paced NWOBHM tracks highly reminiscent of Motorhead to an altogether stranger album, an album which hinted at the sonic possibilities of the harsh soundscapes unlocked by the band. In particular, the title track from this album is a stunning prototype for thrash metal; what Venom attained with their guitar sound through the muzzy production would be reproduced in crystal clarity by Slayer in their early material. Cronos' basswork is often lost in the mix, though where it does emerge from the fog it's raw and powerful, though not as technically accomplished as Motorhead's Lemmy (whose style is clearly an inspiration here). Abaddon's drums are a howling cacophony at the back of the mix, keeping the band driving away at what was at the time a furious pace. Where the band most resemble the black metal bands that would arise later is in the lyrical content, which embraces openly scatological and blasphemous content to an extent hitherto unseen in a metal act; musically, however, the band more closely resemble the early thrash acts who would apply increasing levels of technical proficiency to the raucous, wild sound the band describe here.